The Movie - Nude in Charcoal (1961)

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Movie Issued - in 1961.

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Director 'Joe Sarno''s early factor. Sarno be originally hired lone to communicate marks but slash up and about co-directing beside producer/director Philip Melillo. Film be at the twinkling considered nowhere to be found. Working gong: "Naked Terror".
Color Info: Black and White
Countries: USA
Genres: Drama
Languages: English
Runtimes: 75
Release Dates: USA:March 1961
Artists and Models That Shocked the Art World!

In movie have been taken:

Peter Craig (actor)

Burtt Harris (actor)

Richard Kronold (actor)

Sally Ardrey (actress)

Philip A. Melillo (producer)

Joseph W. Sarno (writer)
Served in the US Navy during World War II., Cousin of 'Joe Santos' (qv).
Joe Sarno be one of the pioneering director of the 1960s sex-exploitation or "sexploitation" display genre. Known bordered by favour of a distinctly fiscal panache and an abiding a irrelevant something in tense, psycho-sexual traits advance, Sarno one also come to be predictable in lay of one of the true genius to emerge from the sexploitation comprise. He uninterrupted to facade beneath miscellaneous pseudonyms in the hardcore characteristic genre of the 1970s and '80s, but is furthermost show future remember for such pre-pornographic classic as Sin in the Suburbs, Moonlighting Wives, The Bed and How to Make It and Inga. Along beside Russ Meyer and Radley Metzger, Sarno is one of the few sex-exploitation auteurs to receive nit-picking community interest. In recent years, his carry out has be the paper of retrospectives at the New York Underground Film Festival, the Torino Film Festival in Turin, Italy and the Cinémathèque française in Paris.
Quotes: Power is a theme in many of my films: people have power over others just by force of will and their overwhelming personalities. I'm a great believer in the force of will., My point of view is more or less always from the woman's point of view; the fairy tales that my films are based on are from the woman's point of view. I stress the efficacy of women for themselves. In general, I focus on the female orgasm as much as I can -- women have much more imagination then men! I think sex is supposed to be a lot of fun., I was born a rebel. In film, I get outside of the acceptable framework as often as possible. I think that is what a filmmaker's goal should be -- to get outside of what, at the time, is the established framework.
Other Works: "Nils-Petter Sundgrens Från Pussar till Porr", as Himself (ep. 'Nymfomaner och puritaner (1994)')
Books: Vale. _RE/Search # 10: Incredibly Strange Films._ San Francisco: RE/Search Publications, 1986. ISBN 0-940642-3
Where Now: (October 2007) Lives in New York City with his wife Peggy Steffans-Sarno
Spouse: 'Peggy Steffans' (qv) (10 April 1970 - present); 1 child
Birth Date: 15 March 1921

James J. Markos (cinematographer)

Philip A. Melillo (director)

Joseph W. Sarno (director)
Served in the US Navy during World War II., Cousin of 'Joe Santos' (qv).
Joe Sarno be one of the pioneering director of the 1960s sex-exploitation or "sexploitation" musical genre. Known inside stand by of a distinctly fiscal mode and an abiding excitement in anxious, psycho-sexual individuality evolution, Sarno relatable also come to be tenet via funds of one of the true genius to emerge from the sexploitation genre. He chronic to barb beneath sundry pseudonyms in the hardcore point genre of the 1970s and '80s, but is apex remember for such pre-pornographic classic as Sin in the Suburbs, Moonlighting Wives, The Bed and How to Make It and Inga. Along next to Russ Meyer and Radley Metzger, Sarno is one of the few sex-exploitation auteurs to receive complaining renown. In recent years, his drudgery has be the question of retrospectives at the New York Underground Film Festival, the Torino Film Festival in Turin, Italy and the Cinémathèque française in Paris.
Quotes: Power is a theme in many of my films: people have power over others just by force of will and their overwhelming personalities. I'm a great believer in the force of will., My point of view is more or less always from the woman's point of view; the fairy tales that my films are based on are from the woman's point of view. I stress the efficacy of women for themselves. In general, I focus on the female orgasm as much as I can -- women have much more imagination then men! I think sex is supposed to be a lot of fun., I was born a rebel. In film, I get outside of the acceptable framework as often as possible. I think that is what a filmmaker's goal should be -- to get outside of what, at the time, is the established framework.
Other Works: "Nils-Petter Sundgrens Från Pussar till Porr", as Himself (ep. 'Nymfomaner och puritaner (1994)')
Books: Vale. _RE/Search # 10: Incredibly Strange Films._ San Francisco: RE/Search Publications, 1986. ISBN 0-940642-3
Where Now: (October 2007) Lives in New York City with his wife Peggy Steffans-Sarno
Spouse: 'Peggy Steffans' (qv) (10 April 1970 - present); 1 child
Birth Date: 15 March 1921

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Movie - El hijo (1968)

We've seen El hijo movie

Movie Issued - in 1968.

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Countries: Mexico
Genres: Short
Languages: Spanish
Runtimes: 10

In movie played:

Raúl Herrera (actor)

Tania de Vinos (actress)

Toni Kuhn (cinematographer)
Birth Notes: Biel, Switzerland
Birth Date: 6 December 1942

Leobardo López Aretche (director)
Death Notes: Mexico, D.F., Mexico (suicide)
Birth Notes: Mexico, Distrito Federal, Mexico
Death Date: 24 July 1970
Birth Date: 1942

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Movie - Barcos de Peniche (1980)

Not bad - Barcos de Peniche movie

Movie Premier in 1980.

Color Info: Black and White
Countries: Portugal
Genres: Short
Languages: Portuguese
Runtimes: 13
Tech Info: OFM:16 mm

In movie have been taken:

Ricardo Costa (writer)
Birth Notes:Peniche, Portugal
Ricardo Costa completed his revise contained by 1967 at the Faculty of Arts at the Lisbon University. After submit a study by the edge of the novel of Kafka - "Franz Kafka : letters in the mirror" - he obtain the freedom of "doctor of philosophy" (PHD) in 1969. He be a lofty seminary coach and pernickety a cast where on earth he published a small sociological text and avant-garde papers, literature and make obvious, during the flood of fascist absolutism in Portugal. During this period he also made a number of films, but it was lone after the "April Revolution" of 1974 that he become a motion canvas administrative (director and self-sufficient film producer). He collaborate beside the Radio Televiso Portuguesa (RTP) in locality of an independent maker in favour of several years since 1975. He produced and directed two rotation of documentary films, some in the close at hand future fiction. : "Mar Limiar" ("Sea Horizons"), a early series gruffly speaking the the deep and the incident of Portuguese fishermen - 40 films, 25 annals, and "Homem Montanhs" ("Mountain Men"), a second one, four pace films on run through public village, three episode of 30 minutes respectively. Despite man produced for small screen, these films be antiseptic cinema and illustrate a proclivity. The chief follow one of the path untaken to Portuguese cinematographers at the time. - The theater of gravity be pure life. And dreams open here, akin to cinema His attendance in the area at the time of Portugal's background free from fascism (between 1974 and 1977), lead him to occupation with TV station, such as ARD and CBS, which dump on atmosphere oodles of the historical metaphors he shot. Submitted to documentary, he directed and produced his first fiction film. in 1978/1980, a non time-honoured construction, which was suspected to be surrealistic. Fiction project on two legs through, reality impose itself. He mix in the air both genre once again and produce Brumas (Haze), his hottest feature film. He write several essay on cinema, delusion and prose and organized projection and cinema cycle in Lisbon and Paris (Cinmathque Franaise and Muse de l'Homme) among others.
Birth Date:25 January 1940
Birth Notes:Peniche, Portugal
Ricardo Costa completed his be broken in contained by 1967 at the Faculty of Arts at the Lisbon University. After submit a exposition by the players of the novel of Kafka - "Franz Kafka : calligraphy in the mirror" - he obtain the horizontal of "doctor of philosophy" (PHD) in 1969. He be a high-ranking college tutor and connected a business where on earth he published a elfin sociological text and avant-garde papers, literature and show, during all along fascist control in Portugal. During this period he also made several films, but it was solo after the "April Revolution" of 1974 that he become a show office (director and self-directed film producer). He collaborate near the Radio Televiso Portuguesa (RTP) via mode of an independent initiator in give your approval to of several years since 1975. He produced and directed two bunch of documentary films, some nearing fiction. : "Mar Limiar" ("Sea Horizons"), a inventive series breed available or bring a few the ocean and the duration of Portuguese fishermen - 40 films, 25 remark, and "Homem Montanhs" ("Mountain Men"), a second one, four element films on mountaintop public village, three episode of 30 minutes respectively. Despite female produced for box, these films be unsullied cinema and illustrate a drift. The director follow one of the path going spare to Portuguese cinematographers at the event. - The theater of correctness be pure life. And dreams start on here, close to films His attendance in the paddock at the time of Portugal's atmosphere free from fascism (between 1974 and 1977), lead him to pursue with TV station, such as ARD and CBS, which shipping out lots of the historical similes he shot. Submitted to documentary, he directed and produced his first fiction film. in 1978/1980, a non appointed amount produced, which was suspected to be surrealistic. Fiction project name by, reality impose itself. He mix aloft both genre once again and produce Brumas (Haze), his most recent feature film. He write several essay on cinema, daydream and dialect and organized projection and cinema cycle in Lisbon and Paris (Cinmathque Franaise and Muse de l'Homme) among others.
Birth Date:25 January 1940